Born August 23, 1966 in Indianapolis, Indiana
Lives and works in New York City


1995 MFA, University of California, Los Angeles
1988 BFA, Boston University


2018 Women, Almine Rech Gallery, New YorkAlmine Rech Gallery, New York
2015 New Paintings, ACME, Los Angeles
2009 Barack and Michelle Obama, Deitch Projects, New York

Everybody Knew That Canadians were the Best Hockey Players, Deitch Projects, New York


ACME., Los Angeles

2000 Deitch Projects, New York
1999 ACME., Los Angeles
1997 Jay Gorney Modern Art, New York (Two Person exhibition with Judie Bamber)

ACME., Santa Monica, CA


2017 The New Baroque, Booth Gallery, New York
  Really?, Wilding Cran Gallery, Los Angeles
  By the River, ACME Gallery, Los Angeles
2016 Passage, ACME Gallery, Los Angeles
  Minerva, Cuevas Tilleard Projects, New York
  Introspective, Bravin Lee Programs, New York
2015 Unrealism, Moore Building, ArtBasel Miami Beach, Curated by Jeffrey Deitch and Larry Gagosian
2014 Convergence, 808 Gallery, Boston University, Boston, MA
  Unrealism, Part 1, Fredericks & Freiser
  Twenty Years, ACME.
2013 Totally Gay for Sports, Lodge Gallery, New York
  Ladies and Gents, Solomon Contemporary, New York
  Silhouette, Blackburn 20/20, New York
2012 Rich and Cultivated, Sardine Gallery, Brooklyn, NY
  I Glove You, Reynolds Gallery, Richmond, VA
  MIE: A Portrait by 35 Artists, Freight + Volume, New York
2011 Cinematic Bodies, Zolla Lieberman Gallery, Chicago

GOLDMINE: Works from the Collection of Sirje and Michael Gold, University Art
Museum, California State University at Long Beach, Long Beach

2010 Private Future, Mark Jancou Gallery, New York
2009 Casual Male, Sherman Gallery, Boston University, Boston
  Prescriptions, ACME., Los Angeles

private(dis)play, COCA, St. Louis, MO; travelled to Emerson Gallery, Hamilton College,
Clinton, NY; and The New York Academy of Art, New York

  Mixed Signals: Artists Consider Identity in Sports, Cranbrook Art Museum,
Bloomfield Hills, MI

Superficiality and Superexcrescence: Surface and Identity in Recent California Art,
Ben Maltz Gallery, Otis College of Art and Design, Los Angeles

2008 Conceptual Figures, Deitch Projects, New York
  Out of Shape, Frances Lehman Loeb Art Center, Poughkeepsie, NY
2007 NeoIntegrity, Derek Eller Gallery, New York, NY
  Celebrity, Scottsdale Museum of Contemporary Art, Scottsdale, AZ
  Fung Wah, Howard Yezerski Gallery, Boston MA
2006 ArtBasel, Deitch Projects, Basel Switzerland
  Stiff, Gallery 40000, Chicago, Illinois
2005 Superstar, Kunsthalle, Wien
  Postmodern Portraiture, The Logan Collection, Vail CO
  Tete a Tete, Greenberg Van Doren Gallery, New York
  Honeymoon with Romeo, Groeflin/Maag Galerie, Basel
  Image/Text, G.A.S.P., Boston
2004 The Charged Image, Joseloff Gallery, University of Hartford, West Hartford, CT
  Monument to Now, Deste Foundation for Contemporary Art, Athens, Greece
  She’s Come Undone, Artemis Greenberg Van Doren, New York, NY
  When I think of You I Touch Myself, New York Academy of Art, curated by David Humphrey

Singing My Song, ACME, Los Angeles

2003 Crosscurrents: Contemporary Art from the Neuberger Berman Collection, Henry Art Gallery, Seattle, Washington
  Reverie: Works from the Collection of Douglas Cramer, The Speed Art Museum, Louisville, KY
2002 By The Hand of the Father, Luckman Fine Arts Center, Cal State LA, Los Angeles
  Cher Peintre, Centre Pompidou, Musee National D’Art Moderne, Paris; travelled
to Kunsthalle, Wien and Schirn Kunsthalle, Frankfurt.
  Mask or Mirror? A Play of Portraits, Worcester Museum of Art, Worcester, MA
  Post L.A. Cool, San Jose Museum of Art, San Jose CA, curated by Michael Duncan
  Enough About Me, Momenta, Brooklyn, NY, curated by Deb Kass
  Supernatural Playground, Marella Arte Contemporanea, Milan
2001 Form Follows Fiction, Castello di Rivoli, Torino, Italy
  Casino 2001, First Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst, Gent, Belgium
  Before They Became Who They Are, Kravets/Wehby, New York, NY
2000 Recent Acquisitions, Deste Foundation, Athens, Greece
  Art on Paper, Weatherspoon Art Gallery, The University of North Carolina at Greensboro, Greensboro, North Carolina
  Whitney Biennial, Whitney Museum of American Art, New York, NY
1999 In Your Face, New Langton Arts, San Francisco, CA
1998 Painting From Another Planet, Deitch Projects, New York, NY
  Transience and Sentimentality, Institute of Contemporary Art, Boston, MA
1996 Be Specific, Rosamund Felsen Gallery, Santa Monica, CA
  Subject/ Object, Cerritos College Art Gallery, Cerritos, CA
1995 Realm of Morpheus: Dream Image in Art, Nexus Foundation for Today's Art, Philadelphia, PA
  Self-Portrayal, Post Gallery, Los Angeles, CA
  Vital Signs, L.A. Municipal Art Gallery, Barnsdall Art Park, Los Angeles, CA
  ACME Gallery, Santa Monica, CA
  MFA Thesis Exhibition, University of California Los Angeles, Los Angeles, CA
1994 House of Styles, TRI Gallery, Los Angeles, CA
  Figuratively Speaking, Jan Abrams Gallery, Los Angeles, CA
  The Hot Crop, Claremont Mckenna College Gallery, Claremont, CA
1990 Figures, Faces, and Body Parts, Visual Arts Gallery, New York, NY




2017 Kauper, Kurt. Afterword, The Figurative Artist’s Handbook, by Robert Zeller,
New York: Monacelli Press, p. 297

Kauper, Kurt. Representational Art and Kitsch, essay published in The Figure,
edited by Margaret McCann, New York: Skira Rizzoli, p. 126

2013 Koestenbaum, Wayne. My 80’s and Other Essays, New York: FSG Originals, 2013,
p. 155
  Amy, Michael. Nicola Verlato: From Verona with Rage, Berkeley: Gingko Press, 2013, p. 89
2012 Hobbs, Robert. Kehinde Wiley, New York: Rizzoli, p. 28

Kauper, Kurt. Panel Discussion, published in the catalogue for the exhibition,
George Tooker: Reality Recurs as a Dream, New York: DC Moore Gallery,
p. 56

  Iwatsuki, Mie. Model’s Voice on Kurt Kauper, essay published in the catalogue for the
exhibition, Freight + Volume, New York, p. 75
2009 Humphrey, David. Blind Handshake, Periscope Publishing, New York, p. 163
  Bedford, Christopher. Mixed Signals, essay published in the catalogue for the Exhibition, Mixed Signals: Artists Consider Identity in Sports, Cranbrook Art Museum, Bloomfield Hills, MI, pp. 26-27
2008 Shelton, Andrew Carrington. Ingres, London: Phaidon Press Ltd., pp. 226-227
  Powell, Richard. Cutting a Figure: Fashioning Black Portraiture, University of Chicago
Press, Chicago, Il, pp. 183, 201-204, 221
  Lombino, Mary-Kay. The Shape of Things, essay published in the catalogue for the
Exhibition, Out of Shape, Frances Lehman Loeb Art Gallery, Vassar College, Poughkeepsie, NY, p. 9
  Koestenbaum, Wayne, and Pepe Karmel. Kurt Kauper: Paintings 2001-2007, Deitch Projects, New York.
2006 Richer, Francesca and Matthew Rosenzweig. “No. 1: First Works by 362 Artists," Thames and Hudson, 2006, p. 197
  Cuzin, Jean Pierre and Dimitri Salmon. “En Attendant Demain: Ingres Aujourd’Hui,” Ingres: Regards Croise, Reunion des Musee Nationaux, pp. 246-247
2005 Karmel, Pepe. “Max Ernst and Contemporary Art,” Max Ernst: A Retrospective, pp. 95-96
2004 Rosenblum, Robert. “Body Works,” in The Charged Image, Catalogue Essay, Joseloff Gallery, pp. 9-14
  Humphrey, David. “When I Think of You I Touch Myself,” Exhibition Catalogue Essay, New York Academy of Art, pp. 4-25
2003 Robson, Julien. “Reverie,” Exhibition Catalogue Essay, The Speed Art Museum, unpaginated
  Danoff, Michael. “Crosscurrents at Century’s End,” Exhibition Catalogue Essay, Neuberger Berman Collection and Henry Art Gallery, pp. 7-10
2002 Stoops, Susan L. “Who is She,” Mask or Mirror, Exhibition Catalogue Essay, Worcester Art Museum, pp. 19-25
  Weinhart, Martina. “Kurt Kauper,” Exhibition Catalogue Essay, Cher Peintre, Centre Pompidou, pp. 148-154
  Rohatyn, Jeanne Greenberg. “Emerald City,” Exhibition Catalogue Essay, Supernatural Playground, Silvia Editrice, pp. 11-14
2001 Anton, Saul and Andrea Scott. “Kurt Kauper,” Exhibition Catalogue Essay, Casino 2001, S.M.A.K., p. 231
  Deitch, Jeffrey. “If it Doesn’t Fit, You Must Acquit,” Exhibition Catalogue Essay,
Form Follows Fiction, Charta, unpaginated



2018 Cohen, Alina. The Perils of a Man Painting Naked Women in 2018,” Artsy, January 29
2017 Indrisek, Scott. “40 Artists Share Their Favorite Shows of 2017,” Artsy, December 25
  Hicks, Jacob. “Kurt Kauper in Conversation with Jacob Hicks,”, January 14
2016 Neuendorf, Henry. “Top 10 Shows on the LES and Surrounding Neighborhoods This Summer,”, July 4
  Herzog, Nadia. “Cuevas Tilleard Projects Presents a Show by the Minerva Collective,”, no date
  Crotty, Benjamin. “Portfolio: Benjamin Crotty,”, May 16

Rosenberg, Karen. “Jeffrey Deitch on Why Figurative Art Rules the Zeitgeist, and His New Calling as a Pop-Up Impresario,” Artspace, November 26

  Seed, John. “Artists (and Others) Talk About Art and Destruction,” The Huffington Post, July 2
  Abadía, Mila and Jose L. Calleja, “Los Suntuosos y Ambiguos Personajes de Kurt Kauper,” Arte a un Click, March 27
2014 O’Rourke, John. “808 Gallery Hosts Alumni Show,” BU Today, November 13
  Houston, Kerr. “The Word, the Flesh, and the Image,” Bmore Art, October 3
  Seed, John. “Contemporary Art’s Body Language,” Hyperallergenic, September 30,
  Wallace, Ian. “The Studio Assistant Family Tree: A Genealogy of Artists & Their Proteges,” Artspace, March 26
  Seed, John, “Artists Respond: Can a Nazi Painting Be Seen With Fresh Eyes?” The Huffington Post, January 10
2013 Aske, Katie. “Ladies & Gents Deconstructed,” The Genteel, April 8
2011 Harrity, Christopher. “Artist Spotlight: Kurt Kauper,” The, July 16
2010 Finch, Charlie. “My Favorite Fifty,”, May
  Fiedler, Marco. “Interview: Kurt Kauper,” FT Magazine, March
2009 Corsano, Otino. “Profile, Interview: Kurt Kauper,” artUS, Issue Number 27, 2009
  McGirk, James. “The Q&A: Kurt Kauper, Artist,”, October 2009
  Kazakina, Katya. “Obamas in Suburbia,”, October 13, 2009
  Slenske, Michael. “Obama in the Suburbs,”, October 2, 2009
  Dumenco, Simon. “Political Canvassing: The Obamas at Deitch Projects,”
The New York Times Style Magazine, October 9, 2009
  “Critics’ Picks,” Time Out New York, October 1-7, 2009, p. 57
  Myers, Holly. “Art Review: ‘Superficiality and Superexcrescence’ at Ben Maltz
Gallery,” The Los Angeles Times, July 8, p. D4
2008 Mullarkey, Maureen. “So Shocking, So Stale,” The New York Sun, March 20, 2008 p.17
  Lachmayer, Dr. Herbert. “Kunst a la Mode,” DIVA, April, 2008 p.64-67
2007 Edgers, Geoff. “In Artist’s Vision, An Icon in the Flesh,” The Boston Globe, November 29, 2007, Front page, p. A28
  Lelong, Melissa.““Hockey Heroes as Art,” National Post, November 30, 2007, p. A3
  Beech, Mark. “Nudes On Ice: Two Bare Bruins are the Highlight of a New York City Art Exhibit,”Sports Illustrated, December 10, 2007, p. 30
  Ward, Bruce. “Hockey or Hokey: Portraits of NHLers Score Hype Dollars,” The Ottawa Citizen, November 30, 2007
  "Galleries-Downtown: Kurt Kauper,” The New Yorker, December 10, 2007, p. 22
  Loos, Ted. “The Naked and the Nude,”, December 7, 2007
  Dimanno, Rosie. “Painter Puts a Nude Look on Hockey Heroes,” Toronto Star, December 6, 2007, p. S2
  Rosenberg, Karen. “Art in Review: Kurt Kauper,” The New York Times, November 23, 2007, p. E40
  Knode, Marilu. “Celebrity,” Exhibition Catalogue, Scottsdale Museum of Contemporary Art, p. 22
2006 Rousseau, Bryant.“Art Basel 37: Best in Show: Deitch is Unanimous Choice,” June 20, 2006
2005 Cohen, David. “Gallery-Going: Tete a Tete,” The New York Sun, June 30
  Schwendener, Martha. “Tete a Tete,” Time Out New York, July 7-13, p. 73
2004 Erikson, Matthew. “Banished Painting Raises Questions,” The Hartford Courant, September 29
  Erikson, Matthew. “The Body Electric,” The Hartford Courant, September 24
  Genocchio, Benjamin. “Carnal Knowledge,” Preview Connecticut, September, pp. 16-19
  Highet, Alistair. “Works From the Trove of an Adventurous Collector,” The New York Times, September 19
  Bloom, Larry. “Cary Grant, Nude,” Connecticut Magazine, September, pp. 12-13
  Johnson, Ken. “She’s Come Undone,” The New York Times, July 9, p. E28
2003 Nochlin, Linda. “New Tricks for an Old Dog: The Return of Painting,” Contemporary,
No. 58, p20.
  McNeil, Taylor. “Fictional Realism – with a Twist,” Esprit, Fall 2003, pp. 4-5
  Kinney, Tulsa. “Stripping Cary Grant,” Los Angeles City Beat, June 26, p. 27
  Pagel, David. “A Cool Jolt from a Familiar Image,” The Los Angeles Times, June 20,
p. E19
  Hughes, Robert J. “Rising Stars of Spring,” The Wall Street Journal, April 4
  Finch, Charlie. “The Armory Show Runs its Course,”, March 7,
  Adams, Brooks. “Picabia, The New Paradigm,” Art in America, March 2003, p. 84
  Pisano, Hortense. “Mut Zum Trash,” Journal Frankfurt, January 17-30, p. 46
2002 Temin, Christine. “Strange Likeness,” The Boston Globe, December 20, 2002, p. E17
  Liebman, Lisa. “Best of 2002,” ArtForum, December 2002, p. 108
  Gute, Charles, et al. “Focus Painting Part One,” Flash Art, October 2002, p. 78-85
  Burnett, Craig. “Previews,” Modern Painters, Summer 2002, p. 121
  Bush, Kate. “Cher Peintre, Lieber Maler, Dear painter,” Art Forum, October 2002, p. 149
  Edwards, Natasha. “Cher Peintre peins-moi,” Modern Painters, Autumn 2002, p. 145
  Leydier, Richard. “Cher peintre,” artpress, September 2002, pp. 82-84
  Tuymans, Luc. “What the Painters Say” artpress, July-August, 2002, pp. 37-46
  Knofel, Ulrike. “Attacke der Kitsch-Rebellen,” Der Spiegel, Nr. 25, June 17, p. 192
  Dagen, Philippe. “Le Peinture en France Malade de la Derision,” Le Monde, June 14, 2002
  Landi, Ann. “The Real Thing?” Art News, June 2002, pp. 88 - 91
  Predicatori, Mara. “Supernatural Playground,” Flash Art International, p. 122, April-May 2002
  Farronato, Milovan. “Supernatural Playground,” Tema Celeste, p. 107, March-April 2002
  Pola, Francesca. “Supernatural Playground,” Segno, March-April, 2002
  Corradini, Mauro. “L’Universo della Grande Mela,” Cultura Bresciana, p.33, March 21
  Corradini, Mauro. “L’Universo della Grande Mela,” Bresciaoggi, March 21, 2002, p. 33
  Farquharson, Alex. “The New Americans,” Art Forum, p. 136, March 2002
  Cunningham, Bill . “Evening Hours,” The New York Times, Section 9, p.5, February 24
  Dunn, Melissa and Charles Gute. “Spotlight Casino 2001,” Flash Art, January-February
  Beatrice, Luca. “Spotlight Form Follows Fiction,” Flash Art, January-February
  Eichler, Dominic. “Casino 2001,” Frieze, January-February 2002, pp. 97-98
2001 Fanelli, Franco & Francesca Comisso. “Com’e Finto il Post-Uomo,” Vernissage, Numero 21, November 2001, pp. 4-8
  Israel, Nico. “A Winning Bet,” Vogue, November 2001, p. 372
  Moliterni, Rocco. “La Forma Segue La Finzione: A Rivoli Le Ricerche Artistiche Degli Ultimi Dieci Anni,” La Stampa, October 19
  Hainley, Bruce. “Brian Calvin,” Artforum, February 2001, pp. 140-141
  Finch, Charlie. “Norman Dubrow Gives it Away,” artnet, February 2, 2001
2000 Kleinfelder, Karen. Art History, December 2000, v23, i5, p. 800
  Gingeras, Alison. “Subversion du Kitsch,” artpress, December 2000, pp. 28-36
  Gingeras, Alison. “Kurt Kauper,” artpress, September 2000, pp. 75-76.
  Edelson, Sharon. “Creative Types,” W, September 2000, pp. 371-384
  Colman, David. “The Wonderful Wizard of Art,” Harper’s Bazaar, September 2000, p. 536
  Canning, Susan. “You Can’t Always Get What You Want,” Art Papers,
July/August 2000, pp. 20-25
  Duncan, Michael. “Blinded by Buzzwords,” Art in America, July 2000, p. 40
  Wei, Lilly. “2000 Biennial Exhibition,” Art News, May 2000, p. 225
  Kimmelman, Michael. “A New Whitney Team Makes Its Biennial Pitch,” The New York Times, March 24, 2000, pp. E31, E33
  Muchnic, Suzanne. "What Difference Two Years Make," The Los Angeles Times, March 24, 2000, p. F1
  Knight, Christopher. "Not Enough Reasons to Celebrate," The Los Angeles Times,
March 24, 2000, p. F21
  Vogel, Carol. “Inside Art,” The New York Times, March 3, 2000, p. E48
  Cotter, Holland. “With a Nervy Sense of Today,” The New York Times,
February 25, 2000, p. E39
1999 Vogel, Carol. “Choosing a Palette of Biennial Artists,” The New York Times,
December 8, 1999, pp. E1, E5
  Hickey, Dave. “Best of the 90’s,” ARTFORUM, December 1999, p.12
  Duncan, Michael. “L.A. Portraiture: Post-Cool," Art in America, October 1999,pp. 124-131
  Miller, Alicia. "In Your Face," Art Papers, July/August 1999, pp. 55-56
  Miles, Christopher. "Kurt Kauper," ARTFORUM, "May 1999, p.183
  Knight, Christopher. "The Case for Painting," The Los Angeles Times Sunday Calendar, April 4, 1999, p. 4
  Pagel, David. "These Grand Divas Are Truly Larger Than Life,"The Los Angeles Times, February 26, 1999, p. F26
1998 Rickels, Laurence A. "Phantoms of Opera," art/text, November 1998-January 1999, pp. 61-66
  Pagel, David. "Visual Stimulation in L.A.," Flash Art, Summer 1998, pp. 116-120
  Cotter, Holland. "Painting From Another Planet,” The New York Times, July 24, 1998, p B39
  Peers, Alexandra. "Object of the Week," The Wall Street Journal, July 24, 1998, p. W12
  Schjeldahl, Peter. "Ultraloungerie," The Village Voice, June 23, 1998, p. 153
  Pagel, David. "Aperto Los Angeles," Flash Art, March-April, 1998, pp. 76-78.
  Temin, Christine. "Art Review," The Boston Globe, February 27, 1998, p. C-1.
  Silver, Joanne. "Visual Arts," The Boston Herald, February 27, 1998, p. S11.
  McQuaid, Cate. "ICA Shows Boston as Artist's State of Mind," The Boston Globe, February 21, 1998, p. C8
  Alimanestianu-Chao, Irina. "Kurt Kauper: ACME.," Zing Magazine, Winter 1998, pp. 179-180.
  Miles, Chris. "New Faces in Portraiture," Zing Magazine, Winter 1998, pp. 39.
  Cotter, Holland. "Judie Bamber and Kurt Kauper," New York Times, January 2, 1998, p. E-41.
  Bergstein, Gerry. “Art Feature: Kurt Kauper,” AGNI 47, 1998, pp. 111-114
1997 Knight, Christopher. "Best Shows of 1997," Los Angeles Times Calender, December 21, 1997.
  Pagel, David. "Kurt Kauper," Editor's Choice, Bomb, Fall 1997
  Knight, Christopher. "Kurt Kauper at ACME.," Art Issues, September/October, 1997, p.36 (cover illustration)
  Pagel, David. "A Mixture of Elegance, Androgynous Strength,"
The Los Angeles Times, May 9, 1997, p. F16.
  Miles, Christopher. "Kurt Kauper at ACME.," Artweek, July, 1997
1996 Pagel, David. “Art Reviews,” The Los Angeles Times, August 8, 1996. p. F11



2005 - Present Queens College, City University of New York, New York, NY, Associate Professor
2009 - Present Princeton University, Princeton, NJ, Visiting Associate Professor
2013 - Present New York Academy of Art, New York, Visiting Senior Critic Present
2000 - 2005 Yale University School of Art, New Haven CT, Assistant Professor
1996 - 2000 School of the Museum of Fine Arts, Boston MA, Full Time Painting Faculty
1995 - 1996 Orange Coast College, Costa Mesa CA, Painting Instructor
1995 - 1996 University of California Los Angeles, Painting Department Technician
1993 - 1995 University of California Los Angeles, Teaching Assistant



The Armand Hammer Museum, Los Angeles
The Museum of Modern Art, New York
Yale University Art Gallery
The Weatherspoon Museum, Greensboro, North Carolina
The Oakland Museum of Art



2006 Pollock Krasner Foundation Grant
2001 Pollock Krasner Foundation Grant
1999 Louis Comfort Tiffany Foundation Grant
1989 Elizabeth Greenshields Foundation Grant
1988 Elizabeth Greenshields Foundation Grant



2014 Visiting Artist Lecture, Louisiana State University, Baton Rouge, LA
  Lecture, “Rembrandt’s Lady with a Pink,” Portraits in Words: The New European Paintings Galleries, 1250–1800,” The Metropolitan Museum of Art, New York
2013 Visiting Artist Lecture, Yale University
  Visiting Artist Lecture, Massachusetts College of Art
  Panelist, “The Figure in Flux,” Pratt Institute, Brooklyn, NY
2012 Visiting Artist Lecture, Yale University
  Visiting Artist Lecture, Virginia Commonwealth University
2011 Moderator, George Tooker, Panel Discussion at DC Moore Gallery, New York, NY
2010 Visiting Artist Lecture, Parsons School of Design, New York
  Visiting Artist Lecture, The School of the Museum of Fine Arts, Boston
  Visiting Artist Lecture, American University, Washington, DC
2009 Visiting Artist Lecture, Yale University, New Haven
  Visiting Artist Lecture, Boston University, Boston
  Visiting Artist Lecture, Lyme Academy, Old Lyme, CT
  Visiting Artist Lecture, Hamilton College, Clinton, NY
  Visiting Artist Lecture, Washington University, St. Louis, MO
2008 Distinguished Fellow in Painting Lecture, San Francisco Art Institute,
San Francisco, CA
  Panelist, “Conceptual Figures,” organized by Ad Hoc Vox, Deitch Projects, New York, NY
  Atlantic Lecturer, Claremont Graduate University, Claremont, CA
  Visiting Artist Lecture, Tyler School of Art and Design, Temple University, Philadelphia, PA
  Visiting Artist Lecture, Columbia University, New York, NY
2007 Panelist, “Fan Fictions,” organized by Ad Hoc Vox, Bellwether Gallery, New York, NY
  Visiting Artist Lecture, Hunter College, New York, NY
2006 Visiting Artist Lecture, Washington University, St. Louis, MO
  Visiting Artist Lecture, The Claire Trevor School of Art, UC Irvine, Irvine, CA
  Visiting Artist Lecture, Kansas State University, Manhattan, Kansas
2005 Visiting Artist Lecture, Parson School of Design, New York, NY
2004 Panelist, “The Charged Image,” The Joseloff Gallery, University of Hartford,
Hartford, CT, moderated by Robert Rosenblum
  Lecture: “Tastelessness and Taste in Contemporary Art,” University of Hartford,
Hartford, CT
  Visiting Artist Lecture, Brooklyn College, Brooklyn, NY
  Visiting Artist Lecture, Washington University, St. Louis, MO
  Visiting Artist Lecture, Tyler School of Art, Temple University, Philadelphia, PA
2003 Visiting Artist Lecture, School of Visual Arts, New York, NY
  Visiting Artist Lecture, The Graduate School of Figurative Art, The New York
Academy of Art, New York, NY
2002 Visiting Artist Lecture, Worcester Art Museum, Worcester, MA
  Visiting Artist Lecture, Boston University, Boston, MA
2001 Visiting Artist Lecture, University of California Irvine, Irvine, CA
2000 Visiting Artist Lecture, Tyler School of Art, Temple University, Philadelphia, PA
  Panelist, “The Shaping of the Artist in the Institution,” Cal State University Long Beach,
Long Beach, CA, moderated by Howard Singerman
  Visiting Artist Lecture, University of New Hampshire, Durham, NH
1999 Visiting Artist Lecture, Williams College, Williamstown, MA
  Visiting Artist Lecture, Otis College of Art and Design, Los Angeles, CA
1997 Visiting Artist Lecture, Art Institute of Boston, Boston, MA